Sentenced to jail in 1997 as a university student aged 22, Yusuf is released on health grounds 10 years later. He returns to his village in the eastern Black Sea region, where he’s welcomed only by his sick and elderly mother. It turns out that his father died while he was in jail and his older sister got married and moved away to the city. Economic factors mean that it’s almost exclusively old people who live in the mountain village, and the only person Yusuf sees is his childhood friend Mikail. As autumn slowly gives way to winter, Yusuf goes with Mikail to a tavern where he meets Eka, a beautiful young Georgian hooker. Neither the timing nor circumstances are right for these two people from different worlds to be together. For all that, love becomes a final desperate attempt to grasp life and elude loneliness – for Yusuf at least. For Eka, Yusuf is something like a character from the pages of a Russian novel: a character who inhabits a faraway world and a faraway time. With the 1990s as a backdrop, the film at once documents and criticises a slice of recent history, exposing the irony, ruthlessness and reality of the period. —sonbaharfilm.com
Born in Artvin, Turkey, in 1975. He studied Physics (1992-1996) and History of Science (1996-2003) at Istanbul University. He participated in cinema workshops in Mesopotamia Culture Center (1996-1999) and Nazım Culture House (1999-2001). Autumn, the first feature by the director was screened at more than 60 festivals in Turkey and around the world and got 33 awards. It was seen by 150.000 people in Turkey and was nominated for the European Film Academy European Discovery Award. Among other films by him are Momi (2001), Voyage in the Time with a scientist (2004), Rhapsody and Melancholy in Tokai City (2005) and The Future (2011). Alper is the Artistic Director of Caucasus Film Days in Artvin. Besides, he writes for the cinema magazine Yeni Film.
Slow doesn’t have to be boring, and Sonbahar sure isn’t. I can’t put my finger on it, but some directors have the knack of distilling a slow pace with fine psychology. Awareness heightened by use of landscape. I wonder why it is we love to breathe in these sights, but most of us live in the city instead of a mountaintop.
Özcan Alper made his feature debut with this long, lyrical and somewhat languid little production that won him best director awards at the Tbilisi and Sofia International Film Festival and marked him… read review
This film is very well made, it is both profound and striking. Overall I deem it a fantastic debute. We’re introduced to a man, Yusuf, who has been imprisoned for the political events of the 90’s in… read review