The Beastie Boys passed out 50 cameras to 50 different concertgoers at their October 9th, 2004, sold-out performance at New York’s notorious Madison Square Garden. The cameras handed around were simple hi-8 cameras, which aren’t particularly known for their brilliant video quality and it looks exactly how you are picturing it to look, too. This film wasn’t made to look glamorous like countless concert films before it. Those elements help Awesome; I Fuckin’ Shot That! succeed. Since all of the cameramen and women were nothing but amateurs, don’t come in here expecting Malick style cinematography. Stylistically, this film is like the “Blair Witch” of concert films. —FilmThreat
What a lame synopsis! First of all, some of the footage was obviously shot by pros with good equipment. Secondly, some brilliant editing and post-production decisions make this film a fresh, thrilling concert experience, muddy video be damned!