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Bad Girl

United States

1993

6 Min
Color
1.78:1
English
  • Currently 2.9/5 Stars.
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DIR David Fincher

PROD Oliver Fuselier

DP Juan Ruiz Anchía

CAST Madonna, Christopher Walken, Matt Dillon, Tomas Arana, James Rebhorn

ED Bob Jenkis

MUSIC Madonna

Queer Lisboa (Queer Pop)

Synopsis

The video features Madonna as “Louise Oriole” (Madonna’s middle name is Louise and Oriole is a street she once lived on), a high-powered Manhattan female executive who is an alcoholic and has a penchant for one-night stands with many different men (from affluent yuppies to shady low-lifes). She behaves this way in order to try to deal with her depression and sadness over a relationship with someone she loves deeply, but ultimately has no future. Through her days, Louise gets distracted by cigarettes, cocktails, and random hook-ups, as lamented in the song’s lyrics. Christopher Walken plays her guardian angel, who watches over her activities and delivers Louise with a “kiss of death” before her final encounter with a man, during which she is suggested to have been strangled with pantyhose.

After Ellen von Unwerth and Tim Burton had rejected the offer to direct the music video, it was eventually directed by David Fincher, who worked with Madonna in her videos for “Express Yourself”, “Oh Father” and “Vogue”, and filmed on location in New York City from January 12–18, 1993. The video also features an uncredited cameo appearance from Matt Dillon, who plays a crime scene cop. –WIkipedia

Director

Original

David Fincher

David Leo Fincher (born August 28, 1962) is an American music video and film director known for his dark and stylish portraits of the human experience, particularly Fight Club (film) and Se7en.

Born in Denver, Colorado, Fincher was raised in Marin County, California. He moved to Ashland, Oregon in his teens where he graduated from Ashland High School.

Inspired by Butch Cassidy and the Sundance Kid, Fincher began making movies at age eight with an 8 mm camera. Filmmaking seemed the perfect outlet for a kid who could spend all day drawing and loved to make sculptures, take pictures and tape-record. Fincher eschewed the film school route, getting a job loading cameras and doing other hands-on work for John Korty’s Korty Films. He next got a job at Industrial Light and Magic in 1980 with his first screen credit being for Return of the Jedi, and stayed until 1984. He left ILM to direct a dark commercial for the American Cancer Society, a grim hint of things to come, showing… read more

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