A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman’s face smiles. The rest is spinning cylinders, pistons, gears and turbines, kitchen objects in concentric circles or rows – pots, pan lids, and funnels, cars passing overhead, a spinning carnival ride. Over and over, a heavy-set woman climbs stairs carrying a large bag on her shoulder. An Art Deco cartoon figure appears, dancing. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden. –IMDb
Dudley Murphy (July 10, 1897 – February 22, 1968) was an American film director. Murphy was born on July 10, 1897 in Winchester, Massachusetts. He began making films in the early 1920s after working as a journalist.
In his first short film, Soul of the Cypress (1921), a variation on the Orpheus myth, the film’s protagonist falls in love with a dryad (a wood nymph whose soul dwells in an ancient tree) and throws himself into the sea to become immortal and spend eternity with her. Murphy’s then-wife Chase Harringdine played the dryad. Murphy followed this with Danse Macabre (1922) featuring Adolph Bolm, Olin Howland, and Ruth Page. Both of these early films are in the DVD collection Unseen Cinema issued in October 2005 (see link below).
Murphy’s eighth film, Ballet mécanique, which he co-directed with the French artist Fernand Léger, premiered on 24 September 1924 at the Internationale Ausstellung neuer Theatertechnik (International Exposition for New Theater Technique… read more
Excelente presentación, los detalles son maravillosos y es totalmente atemporal, dejando entre ver la magnífica selección de ideas que surgían en los años 20, sin lugar a duda, uno de los más finos ejemplos en cuanto a las ideas y naturalmente las excelentes ejecuciones son eternas.