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Synopsis

The beautiful woman Melé is a bar singer, her husband Chaka is out of work. The couple that lives in Bamako, the capital of Mali, is on the verge of breaking up… In the courtyard of the house, where they live together with other families, a trial court has been set up. African civil society spokesmen have taken proceedings against the World Bank and the IMF, whom they blame for Africa’s woes… Amidst the pleas and the testimonies, life goes on in the courtyard. Chaka does not seem to be concerned by this novel Africa’s desire to fight for its rights. –Trigon Film

Director

Original

Abderrahmane Sissako

Abderrahmane Sissako was born in Kiffa, Mauritania, in 1961 and raised in Mali, his father’s homeland. When he returned to Mauritania in 1980, the emotional and financial difficulties of adjustment made him turn to literature and film. A study grant allowed him to attend the Institute of the University of Moscow. Le Jeu (1990), first presented as a graduation assignment, won the prize for best short at the Giornate del Cinema Africano of Perugia in 1991.
In 1993, Octobre was shown at Locarno and won prizes the world over. His film, Waiting for Happiness, was screened at Cannes 2002 and was winner of the FIPRESCI award for best film in the Un Certain Regard section. It was also shown at the New York Film Festival in 2002 and won the Grand Prize at FESPACO in 2003. His last film, the overtly political Bamako represents a move away from autobiography but the explicit subject of Bamako had been the implicit themes of his other films: the legacy of colonialism and the lopsided relationship… read more

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Displaying 4 of 6 wall posts.
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Lights in the Dusk

23Dec11

What could have easily turned into a work of simple didactic discussion is transformed by the weight of genuine human experience into something profound and engaging. Throughout the film these speakers put forward their arguments with a passion and integrity, but it is the audience of nameless faces who watch, listen and exist against this background of unrest and degradation that give credence to their words.

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homer harianja

19Dec11

sangat mengherankan di Indonesia tidak ada film yang seperti ini.

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Scout

2May11

A must-see if for no other reason than you get to see Elia Suleiman and Danny Glover as cowboys in a wonderful tangent.

Lights in the Dusk likes this

Bubi girl

23Oct10

tres-tres fort

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Articles

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W184

What is the 21st Century?: The Modern Director, Pt. 1

By Ignatiy Vishnevetsky on June 15, 2009

What is the 21st Century? is the column where Ignatiy Vishnevetsky tries to find an answer to the titular question. *** Above: Michael Bay

read article

TIFF REPORT: Bamako Review

By Twitchfilm.com on May 17, 2011
Bamako reminded me of why I chose The Evening Class as the name for my personal film blog. It is right in league with Sembene’s assertion that African cinemas are the evening class for adults who approach
read on Twitchfilm.com

TIFF REPORT: Bamako Review

By Twitchfilm.net on July 16, 2010
Bamako reminded me of why I chose The Evening Class as the name for my personal film blog. It is right in league with Sembene’s assertion that African cinemas are the evening class for adults who approach
read on Twitchfilm.net

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Untitled

By jimmylo​running on November 15, 2009

This movie from start to finish is all in the details. And Sissako gets it so right. If you read the film synopsis on IMDB or something, you may get the wrong impression. Yes it’s about a trial between…  read review

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