Dark, biting satire of the television industry, focusing on an Ivy-League educated black writer at a major network. Frustrated that his ideas for a “Cosby Show”-esque take on the black family has been rejected by network brass, he devises an outlandish scheme: reviving the minstrel show. The hook: instead of white actors in black face, the show stars black actors in even blacker face. The show becomes an instant smash, but with the success also comes repercussions for all involved. —IMDb
As a writer, director, actor, producer, author, and entrepreneur, Spike Lee has revolutionized the role of black talent in Hollywood, tearing away decades of stereotypes and marginalized portrayals to establish a new arena for Afro-American voices to be heard. His movies, a series of outspoken and provocative socio-political critiques informed by an unwavering commitment toward challenging cultural assumptions not only about race but also class and gender identity, both solidified his own standing as one of contemporary cinema’s most influential figures and furthered the careers of actors including Denzel Washington, Wesley Snipes, Samuel L. Jackson, Angela Bassett, and Laurence Fishburne. Born Shelton Jackson Lee in Atlanta, GA, on March 20, 1957, he was raised in the Fort Greene section of Brooklyn. After attending Atlanta’s prestigious Morehouse College, returned to New York to make his first movie, 1977’s Last Hustle in Brooklyn, a portrait of the area’s Black and Puerto Rican communities… read more
The story kept me interested enough and I thought what Lee tried to say was interesting and thought provoking but it was filled with so much anger that I had trouble enjoying it (and the ending was kind of horrible). Also the acting was really bad and so were the visuals. Overall I'd say interesting writing but poor filmmaking.