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Synopsis

Tom Hardy, an ex-Army Ranger turned DEA agent, is drawn into an ever-widening mystery surrounding the disappearance of the feared and often hated Sgt. Nathan West, as well as several of his elite Special Forces trainees on what appears, at first, to have been a routine training exercise during a hurricane in the jungles of Panama. Only two survivors are found, Dunbar, and a badly wounded Kendall, the son of a high-profile Joint Chiefs of Staff official. Neither is willing to cooperate with Capt. Julia Osborne’s investigation. So base commander Col. Bill Styles calls in ex-Ranger Hardy, an old friend and a persuasive interrogator. Osborne disapproves of Hardy who is on leave from the D.E.A. after having come under suspicion of accepting bribes from local drug traffickers. She is also uneasy when she learns that Hardy once trained under West and hates him almost as passionately as his current recruits… –IMDb

Director

Original

John McTiernan

A master craftsman notable for his almost Hitchcockian ability to create suspense and keep action moving at an exhilarating pace, director John McTiernan began his involved with theatrical arts early in life. His father was an opera singer, and McTiernan made his theatrical debut at age seven playing bit roles in his father’s shows. After high school he became involved with summer stock, where he directed, acted, and designed until attended Julliard and New York University, where he studied film. He then became designer and technical director at the Manhattan School of Music.

McTiernan went on to make over 200 television commercials before making his feature film debut by directing the fantasy horror movie Nomads (1985). He followed that up with Predator (1987), a sci-fi action film featuring Arnold Schwarzenegger that spawned a franchise.

In 1988, McTiernan helmed his best-known film, the blockbuster Die Hard. Starring Bruce Willis, the film was a hit with both audiences… read more

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Trevor Tillman

28Mar12

McTiernan's masterpiece? I think so, although I haven't seen Nomads or Rollerball. On top of subverting his usual themes and being an excellent love letter to Rashomon (I particularly love the perpetual downpour), it's probably the most cinematic whodunit I've ever seen.

João MC Palhares and 3 others like this

Varun Anisetty, HKFanatic, Jack Lehtonen

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Jack Lehtonen

2Nov11

Here multiple figures fight for control of the narrative, of truth, when in reality, an invisible group has been in control from the beginning. This search for truth probes deeper than Rashmon; there is no baby to represent the hope of mankind. Ultimately, McTiernan is experimenting with the idea of narrative itself. Section 8 is a brilliant rephrasing of his thematic controllers of the past. A major film.

João MC Palhares and 2 others like this

Trevor Tillman, Adam Cook

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