A former rock star, Johnny Boz, is brutally killed during sex, and the case is assigned to detective Nick Curran of the SFPD. During the investigation, Nick meets Catherine Tramell, a crime novelist who was Boz’s girlfriend when he died. Catherine proves to be a very clever and manipulative woman, and though Nick is more or less convinced that she murdered Boz, he is unable to find any evidence. Later, when Nilsen, Nick’s rival in the police, is killed, Nick suspects of Catherine’s involvement in it. He then starts to play a dangerous lust-filled mind game with Catherine to nail her, but as their relationship progresses, the body count rises and contradicting evidences force Nick to start questioning his own suspicions about Catherine’s guilt. —IMDb
Paul Verhoeven graduated from the University of Leiden with a degree in math and physics. He entered the Royal Netherlands Navy, where he began his film career by making documentaries for the Navy and later for TV. In 1969 he directed the popular Dutch TV series Floris (1969), about a medieval knight. This featured actor Rutger Hauer who has appeared in many of Verhoeven’s later films. Verhoeven’s first feature, Wat zien ik (1971) (trans. What do I See?), was released in 1971. However it was his second, Turks fruit (1973), with its combination of raw sexuality and a poignant story line, that gained him great popularity in the Netherlands, especially with male audiences. When his films, especially Soldaat van Oranje (1977) and De vierde man (1983), received international recognition, Verhoeven moved to the US. His first US film was Flesh & Blood (1985), 1985, but it was RoboCop (1987) and especially Total Recall… read more
I can't argue withe criticism as far as the writing goes, the whodunit might make less sense than 'The Big Sleep'. But Verhoven's absurdist sense of humor is in full swing Douglas recapping his role in Fatal Attraction is a gullible cop who's sexual endeavors are surreal in trying to comprehend Stone's nietzschean superwoman. The abrasive correlation between sex, violence and excitement is Verhoven at his pulpiest.