Charming country bumpkin Duane Bradley takes a motel room in New York with no other luggage then a basket. In a flash back-series we learn it contains his surgically removed Siamese twin who is not only physically deformed so badly the doctors hesitated to consider him a human, but is also the vindictive drive of their trip, with the purpose to kill off all those he blames. But in the reception of one of those doctors, Duane gets his first ever date, with the receptionist, and wants to start a positive life too – when the freak twin escapes, these scene is set for a grim finale. —IMDb
Writer/director Frank Henenlotter was born in 1950 in Long Island, New York. Henenlotter gleefully misspent his youth watching a large array of blithely cheap’n’cheesy low-budget exploitation flicks in various seedy grindhouse theaters on 42nd Street. Henenlotter began making 8mm films as a teenager. His 16mm black-and-white short “Slash of the Knife” actually played at a 42nd Street midnight show with John Water’s “Pink Flamingos.” Henenlotter briefly worked as a commercial artist and graphic designer prior to embarking on a career as a filmmaker. Henenlotter’s pictures are distinguished by their offbeat plots, cheerfully lowbrow humor, excessive gore, and pervasively sordid atmosphere. Henenlotter made a smashing horror film debut with the marvelously gruesome and sleazy monster splatter gem “Basket Case” (1981), which delivered a surprisingly substantial amount of touching pathos along with the expected over-the-top explicit violence and hilariously scuzzy humor. This terrifically… read more
Campy, and very entertaining. I hated the scene toward the end involving Sharon and Belial, but overall a good late night horror movie to watch and laugh at.