A working-class man named Marcos and his wife kidnap a baby for ransom money, but it goes tragically wrong when the infant dies. In another world is Ana, the daughter of the general for whom he drives, who does sexual acts to any man for pleasure. Marcos confesses his guilt to her in his troubled search for relief, and then finds himself on his knees amid the multitude of believers moving slowly toward the Basilica in honor of the Lady of Guadalupe. –IMDb
Carlos Reygadas Castillo is a Mexican filmmaker known for his three films Batalla en el Cielo, Japón and Stellet Licht (Luz Silenciosa). After Batalla en el Cielo he was known for his raw depiction of sex on his films and the use of old or ugly characters. With Stellet Licht Carlos competed once more for the Palm d’or at the 2007 edition of the Cannes Film Festival, and has become one of the most prominent writer/directors of modern cinema.
In 1987 Carlos Reygadas discovered his filmic passion after watching the films Andrei Tarkovsky. He studied Law in Mexico, afterwards he specialized in Armed Conflicts in London and worked for the United Nations.
In 1997 Carlos participated in a film competition in Belgium with his first short film, Maxhumain. Shortly after that, in 1999 he began writing his first long film: Japón, which he didn’t began to shoot until 2001. The film was presented at the Rotterdam Film Festival and received a special metion on the Caméra d’Or award at… read more
At times it almost borders on becoming some cliche "Art-House" film but I feel Reygadas pulls it off.
I absolutely love this movie. Everything is in its place. Reygadas is a jewel of modern cinema.
Begins with perhaps, the most artful blowjob ever filmed (No, I don't count the latest Wes Anderson film). It also contains some the grossest nudity this side of a John Waters film. There are some great shots, blah blah blah. Ultimately I did not give a shit about the characters or understood their motivations. Yeah, there is some flimsy commentary about the bourgeois's complex relationship w/ working classes
Silent Light is Carlos Reygadas' third and most overtly accomplished film; I also find it his least convincing. A healthy degree of skepticism
Después de haber provocado polémicas en Cannes 2005 de donde regresó con las manos vacías y después de haberse estrenado en nuestro país con más pena (taquillera) que gloria (crítica), ha… read review