In the near future, Japan is in a state of near-collapse. Unemployment is at an all-time high, and violence among the nation’s youth is spiraling out of control. With schoolchildren boycotting their classes and physically abusing their teachers, a beleaguered and near-defeated government decides to introduce a radical new measure: the Battle Royale Act. Requiring that a randomly chosen school class is taken to a deserted island and the students are forced to fight each other to the death, the Act dictates that only one pupil is allowed to survive the punishment. He or she will return, not as the victor, but as the ultimate proof of the lengths to which the government is prepared to go to curb the tide of juvenile disobedience.
Known primarily in the West for directing such features as Tora! Tora! Tora! (1970) and the controversial Battle Royale (2000), maverick Japanese director Kinji Fukasaku established himself early on with a series of Toei Studio yakuza movies before gaining international recognition after taking over for Akira Kurosawa when the legendary director abandoned Tora! Tora! Tora!. Fukasaku was born in Mito, Japan, in 1930, and made his film debut with 1961’s High Noon for Gangsters.Taking a cue from Italian neorealism, Fukasaku continued to craft a unique style that would flourish throughout the 1960s. Later helming the visually explosive Black Lizard, it soon became apparent that Fukasaku was a director whose talents were limited by the suffocating restraints of the Japanese studio system. Exploring the dark underworld of crime and continually blurring the line between good and evil in his “Battle series,” (which began with 1973’s Battles Without Honor and Humanity) the director’s brutal… read more
[rewatch] some of the wallop of the subject matter has faded for me in the decade since i first saw this, but it still packs a punch. the gleeful hysteria of it works as well as ever, and unlike "the hunger games," it's full of truly memorable bad guys. though i enjoyed the endless backstories and self-conscious melodrama, some of the digressions don't work as well as others. the kid with the spiky hair is awesome.
This is powerful movie but its' story is kinda bad and easy,director tried to melt psychological analysis with child-violence in same pot and he is not really successful. Love and family scenes are overdramatized, plot is not satisfactory enough, acting seems OK to me, characters are even well presented. I enjoyed it but someting is unfulfilled: I never ever understand that teacher's relation with ice-cream princess.
It's hard to decide this movie's rate for me. I would give instantly 3,5. But I can say it deserves 4 in many ways. Let's close it with 3,8.
Also: Best of 2011 from the San Francisco Bay Guardian, In Review Online and more. And 11-year-old Scorsese’s storyboards.
"This perhaps is the first theme for the 2000s," proposes Michael J Anderson: "major filmmakers continuing their mastery, though perhaps
I’m not one to say that “the book is better than the movie” often, because I feel that many movies simply take the book versions of themselves and enhance the viewing experience. This is the only film… read review
I felt compelled to see this since Tarantino cited it as his favorite movie since he became a director (and I do happen to admire QT, which seems to put me in the minority on The Auteurs!). Indeed… read review
Great high school satire that blends over-the-top thrills, horror, melodrama, and black comedy. I could have used more island and less flashbacks, but overall you become invested with the main characters… read review