Planned by the Soviet Central Committee to coincide with the celebrations for the 20th anniversary of the unsuccessful 1905 Russian Revolution, this film was developed by the 27 year-old Sergei Eisenstein from less than one page of script from a planned eight-part epic that was intended to chronicle a large number of revolutionary actions.
Starting with the Potemkin crew’s refusal to eat maggot-infested meat, the mutiny develops and their leader Vakulinchuk is shot by a senior officer. The officers are overthrown and when the Potemkin docks at Odessa, crowds appear from all directions to take up the cause of the dead sailor and open rebellion ensues. What became the most celebrated sequence in world cinema history follows as the Czarist soldiers fire on the crowds thronging down the Odessa steps; the broad newsreel-like sequences being inter-cut with close-ups of harrowing details.
Returning to sea, the Potemkin crew prepares the guns for action as the ship, flying the flag of freedom, steams to confront the squadron. When they finally meet their worst fears are allayed as, with relief coupled with joy, they are universally acclaimed. This film, which was destined to become such an influential landmark in cinematographic history, opened in Moscow in January 1926. It ran for only four weeks.
Directed by Sergei M. Eisenstein, from a script by Sergei M. Eisenstein and Nina Agadzhanova-Shutko.
The father of montage, Russia’s Sergei Eisenstein was one of the principal architects of the modern cinematic form. Despite a relatively small ouevre of only seven completed films, most if not all of which suffered under the weight of communist intrusion, few individuals were more instrumental in enabling motion pictures to evolve beyond their origins in 19th century Victorian theater into a new arena of abstract thought and expression. While later criticized for the strong currents of propaganda coursing through his work, the continuing influence of Eisenstein’s films is, regardless of politics, undeniable; a master of metaphor and allusion, he brought to the medium a new depth of power and complexity. Sergei Mikhailovich Eisenstein was born January 23, 1898, in Riga, Latvia. The child of an affluent architect, he studied at the Institute of Civil Engineering in Petrograd, and in the wake of the 1917 revolution he began working as an engineer for the Red Army. By the early ‘20s, he… read more
Several outstanding shots can't overshadow the massacre on the Potemkin stairs.
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