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Beat the Devil

Italy, United States, United Kingdom

1953

89 Min
Black and White
Italian, English
  • Currently 3.5/5 Stars.
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DIR John Huston

PROD Robert Haggiag

SCR John Huston, Truman Capote, James Helvick, Anthony Veiller, Peter Viertel

DP Oswald Morris

CAST Humphrey Bogart, Jennifer Jones, Gina Lollobrigida, Edward Underdown, Ivor Barnard

ED Ralph Kemplen

MUSIC Franco Mannino

Director

Original

John Huston

The son of actor Walter Huston, American film director John Marcellus Huston was born in Missouri, travelling widely with his family in vaudeville circles, he enjoyed a wild and unconventional youth.

He boxed, rode horses in Mexico and wrote for magazines in New York, before writing dialogue for Hollywood. Before breaking into directing, Huston also spent time acting and street-performing in Paris and London.

His first film, ‘The Maltese Falcon’, was made in 1941, becoming the classic adaptation, and making a star out of Humphrey Bogart. Bogart also appeared in Huston’s next few films: ‘Key Largo’, ‘Across The Pacific’ and ‘The Treasure of The Sierra Madre’.

It was with the latter that Huston won his first Best Director Oscar. His father, Walter, also appeared in the film, winning Best Supporting Actor.

Making military documentaries during World War II, Huston hit the big time again with his 1950 crime film, ‘The Asphalt Jungle’. Following this was ‘The African… read more

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Karthik

27May12

What were they smoking when they made this movie?! Supposedly a 'camp classic', it actually fits no neat genre seeming disordered in intention and casual in execution. It leaves me bewildered each time I see it!

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SAYONARA BUNKA!! (Formerly Corbeau)

13Mar12

I almost gave this 4 stars just for Bogart's evil laugh at the end. Hilarious.

Picture of David Huxley

David Huxley

10Jul11

Go into this film with no expectations and you'll have a great ride. All the characters are stereotypes, with each actor's over-the-top performance based on roles they'd already played in previous films. I can't imagine how theater audiences in the fifties reacted to this movie. Or is it only 50 years later that we realize just how "postmodern" this film really is? Did Huston and his gang of writers know as well?

Karthik likes this

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Michael Gildea

20Apr11

Too comic to be adventure and to adventurous to be comedy. Beat the Devil is just a trainwreck that could've been a great con or heist picture, but instead opted to become a mess with some decent scenery. Further proof that the 50s weren't Bogart's decade...

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in the Dark: A Film Podcast, in Search of Requests

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