Aquieu
18Nov11
This film has grown on me even more..
aesthetically sumptuous and contemplative. it worked for me like some sort of erotic hypnosis based on dance, moviment and mistery. great use of music too. my first Claire Denis movie of many to come. Beau Travail is gonna survive in my imaginary for a long time.
A film full of rhythm, movement, music and dance, a film like no other yet when you watch it feels so familiar, unbelievable
Strangely hypnotic. Plus that off-kilter ending reminded me a lot of the ending for 'Syndromes and a Century'...
The list of greater films in very, very short. Denis sensual images here are among the most powerful in cinema. Perhaps the greatest study (though none of her films can be called a "study", only "Claire Denis films") of the male group ever made. The ending is perhaps the most ecstatic sequence in cinema, a release, a rapturous expression of freedom.
I'm just going to throw away all my MUBI-cred right now and admit that i was bored to death, though there were moments of intrigue like the training sequences, the absolutely meandering pace (which doesn't work as this does not skillfully leave space for character or plot, even emotional, development - it just drags) and total absence of any emotional engagement whatsoever left me completely cold.
I accept the point deduction :') I re-watched it and still couldn't dig it. However, I may also add that I have since enjoyed her Friday Night and The Intruder, so...
What did I see of strobing lights, of shimmering Bab-el-Mandeb from nowhere, legionnaires half naked stretching in field of sand, all those images?
Such an intimate look at human beings environment ! Overwhelmed by this film, Claire Denis worked with filmmakers such as Wim Wenders and Jim Jarmush, that must have been quite a learning on how to express her deep and complex feelings in cinema; This is not so easy as it seems on the screen. Enough said, i love this film.
The final dance scene has to be one of the best closings in contemporary cinema. Along with Trouble Every Day and L' Intrus, my favorite Denis so far.
This film is a one of a kind. The ending knocks me out cold! Brilliant! All hail Claire Denis.
Maybe there are no other films that spurt out the word "Testosterone" than this film. Denise mixing her sense of poetic, music, and the daily live of French Legion in Djibouti into a beautiful rythmical editing. The scene where Denis Lavant dances ecstatically in the end of the movie justify a great comparison in his previous role in an interesting movie by Leos Carax, titled Les Amants du Pont-Neuf.
Beau travail (1999) DIR Claire Denis SCR Claire Denis, Jean-Pol Fargeau, Herman Melville DP Agnès Godard 90 Min well choreographed tonal poem not to be confused with anything Herman Melville would have done