Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls in love with one of her clients, the playwright Jeffrey Moss, and is determined to meet him. The trouble is, on the phone to him, she always pretends to be an old woman whom he calls “Mom.” —IMDb
Vincente Minnelli (February 28, 1903 – July 25, 1986) was a Hollywood director and stage director. His skilled integration of story, music, lighting, and design elements in a film made him the most critically respected crafter of American film musicals. With first wife Judy Garland, he was the father of Liza Minnelli.
Born Lester Anthony Minnelli in Chicago, Illinois, United States, Minnelli was the youngest surviving child of Mina Mary LaLouette Le Beau and Vincent Charles Minnelli. His father was musical conductor of Minnelli Brothers’ Tent Theater. Minnelli’s Chicago-born mother was of French Canadian descent and his paternal grandfather was from Sicily.
With his background in theatre, Minnelli was known as an auteur who always brought his stage experience to his films. The first movie that he directed, Cabin in the Sky (1943), was visibly influenced by the theater. Shortly after that, he directed Meet Me in St. Louis (1944), during which he befriended the film’s star… read more
One of the finest film writings on musical http://t.co/csl9XZaX (Raymond Durgnat on this film)
Aside from the fact that everything's too unreal and sweet in this film, the camera has an incredible faith in those characters, at a point where it becomes an extension, a continuation, of their movements. The late Minnelli's have an undeniable control of space and situation.. they're absolute "case studies" of drama dynamics, through lighting, camera movements and placing, shot duration and framework.. Masterpiece!
Gorgeous film, and a pantheon to the tremendous performer Judy Holliday, the most spontaneous of Minnelli's female leads. Fits comfortably between his exhuberant, joyous explosions (An American in Paris), and his melodramas.
Judy Holliday's best(and sadly last) film and Vincente Minnelli's greatest musical.
BAMcinématek and the Locarno Film Festival take that word “Complete” seriously. The retrospective runs through November 2.
Film architecture is created in film studios, places on the fringe of reality. Anything that is built is usually only present in part, and made