Big Bang Love, Juvenile A

A highly prolific and controversial Japanese filmmaker, Takashi MIIKE was born on August 24, 1960 in Yao, Osaka, Japan. Under the guidance of renowned filmmaker Shohei IMAMURA (a two-time Palme d’Or winner at Cannes), Miike graduated from the Yokohama Vocational School of Broadcast and Film.

Miike’s first films were television productions, but he also began directing several high-quality direct-to-video releases. His theatrical debut came in 1995 with Shinjuku Triad Society, and its success gave him the freedom to work on more ambitious projects. One of the most successful Japanese directors currently working, he has also garnered a strong cult following in the West that is growing rapidly as more of his films become available in translated form on DVD.

Some of Miike’s most popular films include Audition, the Dead or Alive trilogy, Ichi the Killer, Gozu, Izo, and Big Bang Love, Juvenile A.

Miike has achieved international notoriety for depicting shocking scenes of extreme violence and bizarre sexual perversions. Many of his films contain graphic and lurid bloodshed, often portrayed in an over-the-top, cartoonish manner. Much of his work depicts the activities of criminals, and he is known for his black sense of humor and for pushing the boundaries of censorship as far as they will go.

A talented filmmaker who dabbles in a variety of genres, in 1998, Miike was picked as one of the ten non-English directors most likely to succeed by TIME magazine. He has won almost two dozen awards in his short career, including Best Asian Film at the 2001 Fant-Asia Film Festival for Visitor Q, Best Film at the Sitges-Catalonian International Film Festival in 2003 for Gozu and 2004 for Izo, the Special Jury Prize at the 2004 Gerardmer Film Festival for The Happiness of the Katakuris, and both the FIPRESCI Prize and KNF Award at the 2000 Rotterdam Unternational Film Festival for Audition. Additionally, he was the only Japanese director selected to participate in Showtime’s “Masters of Horror” series, although his film, Imprint, could not be shown because the content was too extreme for even cable television’s relaxed standards.

Takashi Miike, without his signature sunglasses, has an uncredited appearance in Graveyard of Honor as the assassin who attempts to kill the Godfather. Fortunately for the Boss, Ishimatsu appears and bashes Miike over the head with a chair. Miike has commented in an interview that he does this to save money on casting fees. Rumor has it that Quentin Tarantino uses the same excuse. —AnimEigo