I can't give this film a measly three stars. Maybe not a masterpiece, but It's not a middling film. This is a film about the meaning of life for a nobody from Staten Island. You rarely see ugliness and smallness depicted with such magnificent beauty. (Look at Marcia Jean Kurtz close-ups for example--almost like Vermeer paintings, so beautiful.)
Pretty good! Kind of funny / very sad. Great performances all around. There were a few scenes that really showed the shoestring budget, but all-in-all a great success. One of the few films I've seen recently that featured a real phone number (no 555!).
A mess that didn't know what it wanted to be, unable to decide between a King of Comedy ripoff or a Taxi Driver ripoff. The black comedy moments that managed to drip out (the 50 Cent cake) were funny but mostly I felt like I was in a room where two people were calling my name at the same time. And I wanted to slap them both...
Since premiering in Cannes, where it won the Palme d'Or, Michael Haneke's The White Ribbon has been on a roll. Headed to the Toronto and New
Recently, theres been more and more writers taking a stab at directing. From Paul Haggis’s shitfest; “Crash” to Charles Kaufman’s all too convoluted for its own good; “Synecdoche, NY”, they havent… read review
The film feels like a dark odessey but it’s one that takes place in a lake not a ocean or river.
This is a film that I wanted to love but I ended up only liking a lot.
It appealed to… read review
Loved it. Patton Oswalt’s first scene with Michael Rapaport is charged with insane tension. The two actors are like bare wires sparking against each other. Really great stuff. I also thought Siegel’s… read review

Robert Siegel, the writer of THE WRESTLER, follows up his tale of a man… read review