Saxophone player Charlie Parker comes to New York in 1940. He is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him. —IMDb
Perhaps the icon of macho movie stars, and a living legend, Clint Eastwood has become a standard in international cinema. Born on May 31, 1930 in San Francisco, the son of a steel worker, Eastwood was a college dropout from Los Angeles College, attempting a business related degree. He found work in such B-films as Tarantula (1955), and Francis in the Navy (1955) until he got his first breakthrough with the long-running TV series “Rawhide” (1959). As Rowdy Yates, he made the show his own and became a household name around the country.
But Eastwood found even bigger and better things with Per un pugno di dollari (1964) (“A Fistful of Dollars”), and Per qualche dollaro in più (1965) (“For a Few Dollars More”). But it was the second sequel to “A Fistful of Dollars” where he found one of his trademark roles: Il buono, il brutto, il cattivo. (1966) (“The Good, The Bad and The Ugly”). The movie was a big hit and he became an instant international star. Eastwood got some excellent roles… read more
Eastwood costruisce un biopic molto particolare,senza la classica successione degli eventi,ma con un racconto fatto di richiami ed ellissi su un genio autodistruttivo.Fotografia straordinaria,piena di contrasti tesi a sottolineare le luci e le ombre della vista dell'artista,interpretato da un Whitaker fantastico.Forse alcune scene si potevano evitare per la loro verbosità,ma nel complesso è un lavoro grandioso.4*
One of the many things I found interesting about this film was that Eastwood made, at the height of the 'Just Say No' war on drugs campaign, a sympathetic biopic of an addict whose struggle is clearly a health issue, and deserves to be treated as such--the criminalization of his behavior by the police is shown by Eastwood to be not just damaging to Bird personally, but also ineffective in addressing the drug problem.
A look back at the posters for departing festival director Richard Peña’s very first NYFF.