In the harsh years of post-war rural Catalonia, Andreu, a youngster relegated to the losers’ side, comes across the bodies of a man and his son in the woods. When the authorities want to pin the blame on his father, the boy decides to try and help him, setting out to find out who killed them. The experience teaches Andreu moral awareness in a world of adults nourished by lies. To survive, he betrays his own roots, eventually finding the monster deep inside himself. Agustí Villaronga has already participated at San Sebastian with Tras el cristal (In a Glass Cage, Zabaltegi-New Directors, 1986) and Aro Tolbukhin (Official Selection, 2002). –San Sebastian International Film Festival
He has been active as a director, screenwriter and actor since 1976. His oeuvre consists of four short films, five fiction films, two television films, two documentaries and two episodes for Spanish television series. Villaronga’s impressive full-length film debut Tras el cristal (1987) is still seen as a controversial work. He has also made strong films with a surreal edge, such as El nino de la luna (with a soundtrack by Dead Can Dance and a lead role for the band’s singer Lisa Gerrard, 1989), El mar (2000) and Aro Tolbukhin. En la mente del asesino (2002), all of which are bringing increasing international recognition for Villaronga’s work. His new film Pa negre (2010) had its premiere in competition at the San Sebastian film festival, and won a Silver Shell for actress Nora Navas. –Rotterdam
A slightly Dickensian story of a boy finding his way in the world as he learns to sacrifice sentiment for practicality and family for advantage. Beautifully filmed as well.
Great photography, as well as great opening and closing scenes. Unfortunately the script was underdeveloped and the emotional climax came too early, letting the film just drag on after that. Maybe if it hadn't tried to be too many different things at once, it could have worked even better. I can't say I was left as impressed as the people who gave it 9 Goya awards though.
great movie with a divisive "message". Not for the faint of heart.
Photo by Tommy Lau Updated through 5/8. The San Francisco International Film Festival (SFIFF), the longest one running in the Americas, opens
A never-ending rambling melodrama which pretends to be making a statement on Franco’s Spain, but muddies the water with a rights-of-passage drama, ‘shocking’ sequences, a folk tale of a monster, and… read review