It’s time for Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare disappears, they contact the police, who don’t express much concern. Meanwhile Jess is planning to get an abortion, but boyfriend Peter is very much against it. The police finally begin to get concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem? –IMDb
Bob Clark began making independent low-budget features as a writer/director with the transvestite comedy The She Man in 1967, and his horror films of the early ‘70s, made with writer/actor Alan Ormsby, are fondly remembered: Children Shouldn’t Play With Dead Things (signed as Benjamin Clark) and Deathdream (aka Dead of Night; Night Walk). Clark also won admiration for his Sherlock Holmes film Murder By Decree, scripted by John Hopkins. None of this could compare to the box-office success Clark would find in the early ‘80s with his seminal low-brow sex comedy Porky’s and its first sequel. Reviled by critics but eaten up by audiences, the films’ horny-yet-nostalgic tone would forever influence the world of teen movies. It was Clark’s 1983 project, however, an adaptation of Jean Shepherd’s writings called A Christmas Story, that would prove to be the director’s finest moment. The pitch-perfect holiday farce failed to find an audience despite strong reviews upon its initial release, but… read more
Deservedly a Canadian horror classic with (gasp!) actually well developed female characters who are funny and interesting and we are actually remorseful for when they are inevitably murdered. Margot Kidder is a standout as the drunk and hilarious Barb
While Bob Clark takes an unapologetic dive deep within his female characters' sexual hard-drives, he also silently brings for the psychosexual tendencies of its slasher killer. What could have easily dumbed-down to your typical slasher formula (wait - what? the film practically started it!), it instead has its brains on a higher level - showing the slasher form with a purely vicious aura of psychology.