Set in the 1930s Arab states at the dawn of the oil boom, the story centers on a young Arab prince torn between allegiance to his conservative father and modern, liberal father-in-law. –IMDb
Born in Draveil, south of Paris, France, Annaud attended the prestigious L’Institut des Hautes Etudes Cinematographiques. He graduated at the age of 20 and quickly achieved success directing commercials. Two years later he was sent to the French Cameroons as an Army Film Director by the National Service.
While in Africa, he trained locals to make their own movies while working on a series of educational films for the natives. The experience convinced him to film his first feature, Black and White in Color (1976), in Africa, and he took a year to raise the money. His hard work paid off with an Oscar for Best Foreign Language Film in 1978.
Annaud’s follow-up, Coup de Tête (or Hothead) (1979), established his reputation in France, and his next film Quest for Fire (1981), a unique story of primitive man set 80,000 years ago, won French Cesar Awards for Best Picture and Best Director. He won the Cesar Award again directing Sean Connery in an adaptation of Umberto Eco’s challenging… read more
It's nice to see Tahar Rahim back in lead role after his breakthrough performance in A Prophet. The grand scale of desert epic-ness brought a Lawrence of Arabia nostalgia. Considering it is backed by the Qatar Film Fund, a sense of an ulterior motive behind the film making cannot be avoidable. recommended for anyone interested in the subject of oil politics/ love-hate relationship between Mid East & the west.
TRULY AWFUL. I was pretty excited to see Tahar Rahim on screen again after Un Prophete. However Jean Jacques Annaud's directing was awful. Poor story development, pretty bad acting (though I blame it on the director for Rahim and Mark Strong). Altogether one very expensive flop. (All those camels!) Beyond disappointing.
Banderas is the antithesis of wine...gets worse with age! Everything was indeed truly awful! The only performance worth noting is from Riz Ahmed (oops, sorry RB lovers...Riz MC!)
Pauvre Jean-Jacques Annaud. L’Or Noir se veut une épopée, mais qui n’est portée par rien d’épique. Pourtant, le sujet n’est pas forcément inintéressant : puisqu’il regarde comment le pétrole – et l’argent… read review