A companion piece to the earlier film, ‘The Death of Epedocles’, ‘Schwarze Sünde’ (Black Sin) is an adaptation of the third version of Friedrich Hölderlin’s play, ‘Der Tod Des Empedokles’, by the filmmakers Daniele Huillet and Jean-Marie Straub.
—Wikipedia
Daniele Huillet was a German filmmaker best known for her close collaboration, so close that it is often uncredited, with Modernist director Jean-Marie Straub. According to Huillet, she is mainly in charge of sound and editing while her partner deals with camera work, but she also assists with script-writing and directing. The films of Huillet and Straub are usually based on and offer historical insight into high German literature or music. Films such as Chronik der Anna Magdalena Bach (1968) tend to be so intellectually demanding that they are rarely seen commercially, and are primarily to be found on the international festival circuits. Many of their works also tend to make strong political statements such as their examination of the Israeli-Palestinian conflict Fortini (1976).
(From http://www.allmovie.com/cg/avg.dll?p=avg&sql=2:95128)
Filmmaker Jean-Marie Straub and Daniele Huillet, his wife and co-director, have become leading figures in New German cinema. Their films are not for passive viewers seeking light entertainment; films such as Not Reconciled or Only Violence Helps Where Violence Rules (1965) are intellectually demanding, and yet are among the most haunting films of German cinema. Prior to teaming up with Huillet, the French born Straub worked as an assistant to French directors such as Abel Gance, Jean Renoir, and Robert Bresson. He met and teamed up with Huillet in 1954. To avoid the draft, he fled to Munich, Germany in 1958 where they got involved with radical theater groups. By the early sixties he and his wife had become a prominent directors. They made their debut with the short Machorka-Muff in 1963. In 1968, their long-time friend Fassbinder appeared in The Bridegroom, the Comedienne and the Pimp. Straub and Huillet’s most famous film is Chronicle of Anna Magdalena Bach (1968). By the late ’60s… read more
