Swift, brutal, and black-hearted, Allen Baron’s New York City noir Blast of Silence is a sensational surprise. This low-budget, carefully crafted portrait of a hit man on assignment in Manhattan during Christmastime follows its stripped-down narrative with mechanical precision, yet also with an eye and ear for the oddball idiosyncrasies of urban living and the imposing beauty of the city. At once visually ragged and artfully composed, and featuring rough, poetic narration performed by Lionel Stander, Blast of Silence is a stylish triumph. —The Criterion Collection
Where's all the praise for this coming from? I thought it was really hammy and cliched, personally, and while there were some interesting things about Frankie none of them got enough screen time to really amount to much. It all felt very by-the-numbers.
One of the greatest independent films--set the stage for the new age of film noir and gangster films and heavily influenced Martin Scorsese (as can be seen in Mean Streets). Perfect movie to watch during the Christmas season when you're in a lonely place.
the narration is prolly the most annoying ever. the ending and larry tucker are great. don't cross baby boy frankie bono!
Blast of Silence starts out in utero with director and lead Allen Baron cleverly positioning the camera in a dark rail tunnel, speeding toward a tiny speck of light that grows larger, to the… read review
It’s appropriate that Barron’s Blast of Silence has often been compared to Shadows by John Cassavettes. Both films are examples of great, low-budget independent films shot in New York. Stylistically… read review
A hired killer takes us for a stroll through Manhattan’s wet pavement, along with his misanthropic thoughts, and especially directed feelings of utter disgust and hatred for his new target; like he… read review
Allen Baron’s minor ‘60’s classic gets a well deserved rediscovery courtesy of The Criterion Collection, who present the existential noir with a documentary on the making of the independent film, as… read review