The building of the M11 Link Road in East London provoked a long and bitter campaign by local residents to protect their homes from demolition. Blight was filmed during this period, while houses were demolished and land cleared. Using recordings made of people’s reminiscences, the score incorporate fragments of speech and natural sounds. The film is based on real events which transformed people’s lives, but it is much more than a conventional documentary. Enigmatic stories are created and the mundane is transformed into the marvellous. The music and images are woven into an elegiac evocation of memory and loss. —Oberhausen International Short Film Festival
John Smith (b. 1952, Walthamstow, England) is an award winning avant garde filmmaker noted for his use of humour in exploring various themes that often play upon the film spectator’s conditioned assumptions of the medium. Noted works include The Girl Chewing Gum (1976), Om (1987), The Kiss (1999) and Blight (1999).
John Smith studied film at the Royal College of Art. After graduating in 1977 he became involved in the activities of the London Filmmakers’ Co-op. Strongly influenced by the Structural Materialist ideas which dominated British artists’ filmmaking at that time, but also fascinated by the immersive power of narrative and the spoken word, John Smith has developed a body of work which reworks and transforms reality, playfully exploring and exposing the language of cinema.
Since 1972 John Smith has made over forty film, video and installation works that have been shown in cinemas, art galleries and on television throughout the world and awarded major prizes at many… read more
Oh, that lyrical mash of voices! Watching the decay, the tragic reduction of forms to memory, whether to look away from the destruction of the beloved house, or revel in the final glimpses, lest it be lost forever in the faded mental vision of the child.