Twenty-something Witek is desperately trying to catch a train leaving the station. Employing a narrative style later aped by Tom Tykwer in Run Lola Run, the three changing outcomes of his chase begin three different stories of his life: oppositionist, activist in a socialist organisation, and physician shunning politics. Strongly rooted in Polish reality, Blind Chance is a also a precursor to Kieślowski’s later work, including his internationally renowned Three Colours trilogy, and asks whether we are shaped by blind fate or do we – independent of circumstances – remain free people? —Poland on Screen
A towering figure of Eastern European cinema, Krzysztof Kieslowski was born in Warsaw, Poland, on June 27, 1941. His formative years, spent under the specters of Hitler and Stalin, were nomadic; his father suffered from tuberculosis, and the family traveled from one sanatorium to another. At the age of 16, Kieslowski entered Fireman’s Training College. His stay was short-lived, instilling a lifelong loathing of uniforms and disciplines. To avoid military service he returned to school, later attending the Warsaw College for Theatre Technicians. In 1965, after several previous rejections, he was finally accepted into the famed Lodz Film School — the same institution which launched the careers of Roman Polanski, Andrzej Wadja, Jerzy Skolimowski, and Krzysztof Zanussi — and made his first short feature, Tramwaj (The Tram), the following year.
The communist-controlled Poland of the 1960s and 1970s was a nation of great political unrest. Consequently, film emerged as a crucial means… read more
A great film dealing with the ambivalence of one's future. Fantastic cinematography, and a pioneered sense of non-linear storytelling that has undoubtedly been adopted by many films.