Blind Man's Bluff

A Caixa

Portugal, France

1994

93 Min

Color

1.85:1

Portuguese

Currently 3.8/5 Stars.
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SCR Manoel de Oliveira, Prista Monteiro

CAST Luís Miguel Cintra, Glicínia Quartin, Ruy de Carvalho, Beatriz Batarda, Diogo Dória, Isabel Ruth, Filipe Cochofel, Sofia Alves, Mestre Duarte Costa, Paula Seabra, Miguel Guilherme, António Fonseca, Rogério Samora, Tiago Henriques, Gilberto Gonçalves

ED Manoel de Oliveira, Valérie Loiseleux

SOUND Jean-Paul Mugel

Cannes (Quinzaine des Réalisateurs), Rotterdam (Main Programme), Berlinale (Forum)

Synopsis

After a play by Prista Monteiro by the master of Portuguese cinema. A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

The casket, a caixa, from the title is the official instrument needed in Portugal by a blind beggar to make a living. The beggar in lives and works in an alleyway – a staircase winding upwards through a poor neighbourhood. His daughter does the housekeeping and also works as washerwoman. Her unemployed husband lives from her money and from his father- in-law’s begging casket. When the casket is stolen for the second time, events take a dramatic turn. The film is based on a play by Prista Monteiro and has a theatrical mood; the action remains limited to that one alleyway that functions as a stage set. De Oliveira himself described the film as a portrait of humanity, introduced via a group of poor and marginal – not to say forgotten – people. –IFFR

Director

Manoel de Oliveira

Manoel Cândido Pinto de Oliveira, GCSE (Portuguese pronunciation: [mɐnuˈɛɫ doliˈvɐjɾɐ]; born December 11, 1908) is a Portuguese film director born in Cedofeita, Porto. He is currently the oldest active film director in the world.

Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists.

Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo’s acting school at age 20, but later changed his mind when he saw Walther Ruttmann’s documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titled Douro, Faina Fluvial (1931).

He also has the distinction of having acted in the second Portuguese sound film, A Canção de Lisboa (1933).

His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto’s street children… read more

Manoel Cândido Pinto de Oliveira, GCSE (Portuguese pronunciation: [mɐnuˈɛɫ doliˈvɐjɾɐ]; born December 11, 1908) is a Portuguese film director born in Cedofeita, Porto. He is currently the oldest active film director in the world.

Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists.

Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo’s acting school at age 20, but later changed his mind when he saw Walther Ruttmann’s documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titled Douro, Faina Fluvial (1931).

He also has the distinction of having acted in the second Portuguese sound film, A Canção de Lisboa (1933).

His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto’s street children, was a commercial failure when it opened, and its merit only came to be recognised over time[citation needed]. This drawback forced Oliveira to abandon other film projects he was involved in, and to dedicate himself to running his family vineyard. He re-emerged onto the film scene in 1956 with The Artist and the City, a work that marked a turning point in Oliveira’s conception of the cinema.

In 1963, O Acto de Primavera (The Rite of Spring), a documentary depicting an annual passion play, marked a turning point for his career. This was shortly followed by A caça (The Hunt), a grim feature film that contrasted with the happy tones of his previous documentary. Despite the widespread acclaim garnered by both films, he would not return to the director’s seat until the 1970s. Since 1990 (when he turned 82), he has made at least one film each year. His most recent film, Christopher Columbus – the Enigma, was shot partly in New York and completed in 2007; it is currently touring the United States.

Oliveira has said that he direct movies for the sheer pleasure of doing it, regardless of critical reaction. He maintains a quiet life away from the spotlights, despite multiple honours such as those of the Cannes, Venice and Montréal film festivals. He has been awarded two Career Golden Lions in 1985 and 2004 and a golden palm for his lifetime achievements in 2008.

Oliveira married Maria Isabel Brandão de Meneses de Almeida Carvalhais in Porto on December 4, 1940. They have two children: Manuel Casimiro Brandão Carvalhais de Oliveira (born 1941) and Adelaide Maria Brandão Carvalhais de Oliveira (born 1948). He has several grandchildren via his daughter Adelaide. —Wikipedia

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