Employing economy of means and the power of suggestion, director Mike de Leon effectively presents a highly visual and stark character study of a demented patriarch and retired policeman (Vic Silayan) and his acquiescent family. The old man’s tight grip n his submissive wife (Charito Solis) and daughter (Charo Santos) is threatened when the young woman marries her fiance, driving the father to fits of jealousy and violence. Also a statement on tyranny and the use of terror by an authoritarian figure, an oblique criticism of the Marcos dictatorship. –manunuri.com
Miguel Pamintuan de Leon is a noted Filipino film director, cinematographer, scripwriter and film producer. His is also known as Mike de Leon. He was born in Manila on May 24, 1947 to Manuel de Leon and Imelda Pamintuan. His interest in filmmaking began when he pursued a master’s degree in Art History at the University of Heidelberg, Germany.
De Lion first made two short films namely: Sa Bisperas, 1972, and Monologo (Monologue), 1975. He established the Cinema Artists Philippines in 1975. He produced Lino Brocka’s Maynila: Sa mga Kuko ng Liwanag, while also acting as the said film’s cinematographer in 1975. For Maynila: Sa Mga Kuko ng Liwanag, de Leon won best cinematography awarded by the Filipino Academy of Movie Arts and Sciences (FAMAS).
De Leon’s films are a full reflection of the Filipino psyche that sought answer for questions on social class belonging, political absurdities, and fragmentations in various forms. His first major full-length work was, Itim (Black… read more
This was my first Filipino film and boy was it nice. I think the film was just great, the soundtrack, the actor's work the actual story; so so compelling. A real treat.
Though almost three decades old, the film still stands among the best films ever made by a Filipino filmmaker, even reaching a status higher than most films created anywhere in the world today for the last decade. Dark and unsentimental, the film achieves miraculous beauty when secrets are slowly revealed to everyone's grasp but bluntly stalled a tall wall to prevent us from reaching out. Only cries are getting louder and to help means death.
There are DVDs now available to see this film. I don't know if MUBI.com offers this film here, but I think not yet.
In their polar opposite characters, Vic Silayan and Charito Solis gave two of the best and most unforgettable performances in Philippine cinema.
A psychopathic patriarch who stops his newlywed daughter from having a proper honeymoon, accompanies the couple on their dates even to the point of watching a movie at the theatres with them, forces the couple to reside at his house, imposes time curfews on them and who gets all screwy when he doesn't get it his way?? Yikes, that sounds just like almost any other "common" father to me.