At a midwestern hotel, conniving bellhop Bert Harris has a finger in every pie. He promotes a job for glamorous Ann Roberts, but she does not immediately succumb to his charms. However, Bert soon enlists Ann as partner in his new profession of con man. Most of the victims they fleece are lawbreakers themselves. But Bert is tempted to try actual stealing, and Ann fears it will bring bad luck… —IMDb
A former journalist, Roy Del Ruth entered films in 1915 as a screenwriter and gagman for Mack Sennett. Turning to directing two years later, he made two-reel comedies with such top comedians as Billy Bevan and Harry Langdon. He began directing features in the mid-‘20s, but found his niche with Warner Bros. in the early 1930s. Del Ruth was one of the directors who turned out the kind of gritty, tightly made urban and crime dramas for which Warners became famous. He left the studio and went to MGM, where he specialized in the kind of splashy, lavish musicals that made MGM’s reputation. Del Ruth was the stereotypical studio director—with the resources and backing of a major studio he was at the top of his form and capable of turning out solid, enjoyable, technically excellent films, but once he left the environment of a major studio and struck out on his own, his fortunes waned. After leaving MGM he made a few musicals and weak comedies (he was also responsible for what is generally considered… read more
Lovely Depression era film, fast and nononsense in the Warner style. Cagney as usual is amazing. But so is Blondell. Gosh to live in the 30s when films like this were tossed off almost routinely!
Hot stuff! Too hot for the censors, but hot enough for you. Scandalous lads and ladies revealed—inside!