Carlos Saura began what would become his trilogy with this depiction of a single dress rehearsal for choreographer Antonio Gades’s adaptation of poet/playwright Federico Garcia Lorca’s tale of passionate revenge. No mere recording of a ballet, Bodas de sangre (Blood Wedding) uses gripping camerawork and heart-pounding rhythmic editing to evoke the experience of moving with the dancers every step of the way. —The Criterion Collection
Ranked among Europe’s elite filmmakers, Carlos Saura had his greatest impact in the late ‘60s and early ’70s when his often politically charged films revitalized Spanish cinema. Like his mentor Luis Buñuel, Saura freely blends reality with the macabre and an often grotesque surrealism to create worlds in which reality is subjective. Saura was born the second of four children in Huesca, Spain. His father was a lawyer, his mother a pianist, and his brother, Antonio, grew up to become a noted abstract expressionist painter. In 1935, Saura’s family weathered the Spanish Civil War in Madrid. The war had a tremendous impact on Saura, and snippets of his vivid, often terrifying memories would later appear in his films. As a young man, Saura briefly studied engineering but at age 18 left school to become a professional freelance photographer. Specializing in photographing dancers and musicians, Saura made a name for himself and even staged two one-man exhibitions, the second of which featured… read more
Hmm - did anyone else who saw this wonder if the incredible knife battle scene might have had some influence on the fight sequence effects in "The Matrix"?
Em resumo, eis alguns ingredientes para uma obra cuja arte revela a cada plano estar carregada do ar do ineditismo: Saura filma o ensaio de um espetáculo de dança flamenca, o qual, por sua vez, é a… read review