In the enthralling Blow Out, brilliantly crafted by Brian De Palma, John Travolta gives one of his greatest performances as Jack, a movie sound-effects man who believes he has accidentally recorded a political assassination. He enlists the help of Sally (Nancy Allen), a possible eyewitness to the crime who may be in danger herself, to uncover the truth. With its jolting stylistic flourishes, intricate plot, profoundly felt characterizations, and gritty evocation of early-1980s Philadelphia, Blow Out is an American paranoia thriller unlike any other, as well as a devilish reflection on the act of moviemaking. –The Criterion Collection
Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers.
Born on the 11th of September in 1940, De Palma was born in New Jersey in an American-Italian family. Originally entering university as a physics student, de Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.
At first, his films comprised of such black-and-white films as Bridge That Gap (1965). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, de Palma made the comedic film Greetings (1968) starring Robert de Niro in his first ever credited film role. The two followed up immediately with the film The Wedding Party (1969) and Hi, Mom… read more
Very pretty to look at, but the ending is ridiculous and there's nothing here that hasn't been done before. Also, Nancy Allen's character was unrealistically stupid.
how is the ending ridiculous? it serves perfectly to close the film (evolves it from parody to a very serious and character-driven movie), not to mention it's heartbreaking. lol, for as much as I agree with you about nancy allen's character, it actually doesn't serve against the film, but rather helps it, for her "innocence" about what are the deeper (political) things going on with the world around her contributes to the development of the film by contrasting Travolta's character and helping achieve that devastating ending. P.S. glad to see another "casualties of war" lover.
Yeah, it seems a little ridiculous at first, but Travolta saves it in the final shot in the sound editing room where he's using the scream. Just that half-crazed look on his face. It might be a little implausible, but it's a dramatically tragic moment. Works really well for the movie. It tied it all together really, really well to me.
Incredibly dumb (not to mention sexist), but directed with enough gusto to transcend the material. (Haven't seen a lot of De Palma, but my impression is that's sort of his niche). Could've done without Karen Allen though.
"An insane true story about an unemployed Army veteran and crystal-meth addict named Shawn Nelson who stole a tank from a San Diego military
I feel pretty safe in saying that paranoia thrillers are my favorite breed of film. I also feel safe in saying that there when it comes to great entries into this subgenre, I can count them on two… read review
Brian DePalma’s Blow Out is something like a schlock version of Vertigo: campy, taut, and in love with its own stylized movie-ness. As a straight-up paranoia thriller, it’d be silly… read review