Blue Valentine is an intimate, shattering portrait of a disintegrating marriage.
On the far side of a once-passionate romance, Cindy (Michelle Williams) and Dean (Ryan Gosling) are married with a young daughter. Hoping to save their marriage, they steal away to a theme hotel. We then encounter them years earlier, when they met and fell in love—full of life and hope.
Moving fluidly between these two time periods, Blue Valentine unfolds like a cinematic duet whose refrain asks, where did their love go? Framing the film as a mystery whose answer lies scattered in time (and in character), filmmaker Derek Cianfrance constructs an elegant set of dualities: past and present, youth and adulthood, vitality and entropy. The rigor of his process is visible throughout the film. Eliminating artificial devices, he has only the truth of the characters to work with. Because Gosling and Williams bring amazing intensity and emotional honesty to their roles, the experience of connecting to these two souls becomes truly moving.—Sundance Film Festival
Derek Cianfrance began making movies at age 13. He later attended The University of Colorado where he studied under avant-garde film legends Stan Brakhage and Phil Solomon. His first three films, ‘Five O’clock Shadow’, ‘Raw Footage’, and Brother Tied (1998), won consecutive Goldfarb Awards for best film. Raw Footage went on to be awarded a Special Deans Grant for Achievement in the Arts, as well as The Independent Film Channel’s Award for Excellence in Student Filmmaking. He directed, wrote, shot, and edited his first feature, Brother Tied, at the age of 23. The film made its American premiere at The Sundance film festival where it was lauded as “one of the most striking American independent debuts in some time,” by The Guardian’s Jonathan Romney, and hailed a work of “visual genius,” by New York Newsday’s John Anderson. The film traveled to over 30 festivals and won international awards at 6, including The Orson Welles First Feature Film Award at Huntington, the Ecumenical Jury Award… read more
The performances! Gosling and Williams give some of the best performances. Their conversations sound so real, it's almost voyeuristic. Their interactions and chemistry makes up for the lack of style from the director, making the film much more interesting. The story itself and the comparison between past and present was executed very nicely. Overall, it is a very good film, and enjoyable beyond cinematic qualities.
Ryan Gosling greatest performance so far (his most iconic will be Drive). William's should have won best actress that year of the oscars. Very touching but truthful film on reltionships. you can see why it took Cianfrance years to make.
Honestly, this film would have been perfect if it weren't for the font used in the credits...I felt like I was watching a poorly crafted powerpoint.
"Class consciousness has frequently played a role in Mike Leigh's films, and not only because, as a storyteller whose native terrain is
More of a supplement to Part 1 than a second half, this collection of roundups on films screening at Sundance, Rotterdam, Berlin and SXSW this
Movies I Would Have Seen At The Sundance Film Festival, With Bonus Feature Of Movies I Would Not Have Seen At The Sundance Film Festival, Had
SPOILERS***
Fifty percent of all marriages end in divorce, which means fifty percent of America will probably connect with Blue Valentine on a deeper level. Throw in the percentage of people… read review
It’s a very rare… read review
Toujours attendu de ce côté de l’atlantique, Blue Valentine de Derek Cianfrance est précédé d’une bonne réputation depuis le Festival de Cannes. On le cite souvent – à tort – comme le penchant indé… read review