At the end of this film, Emilia dies and Julio remains alone. Actually, Julio had remained alone several years before Emilia’s death. What matters is that at the end, Emilia dies and Julio does not die. Julio lives and Emilia does not live. The rest is fiction. –Cannes Film Festival
Valdivia (Chile), 1975. Prior to becoming a moviemaker, he wrote short stories and studied Sociology in Santiago de Chile, Heidelberg and London. He has written and directed several shorts, including El tesoro de los caracoles and XX, winners of awards at festivals in Chile, Germany, France and the USA. He also co-wrote the features 199 recetas para ser feliz and Los debutantes, and worked as a TV producer in the UK. Ilusiones ópticas, his first feature, was selected for Films in Progress 13 (Toulouse 2008) and 14 (San Sebastian 2008). —San Sebastian International Film Festival
As I’ve mentioned before, movie posters are not much in evidence around the theaters of Cannes. One striking exception though was this
High time to round up the films at this year's Cannes Film Festival that never saw entries of their own and send them on their way. Today