Scientists Michael Brace and Lillian Reynolds build a device capable of recording and playing back sensory experience. As they experiment with its various possibilities, Lillian dies of a heart-attack but manages to record the experience. However, the project is taken over and shut down by their military backers and Brace forbidden to view the tape. With the help of his estranged wife Karen, Brace conducts a telephone hack-in to the computer to access the tape and view the recorded experience of the afterlife. —The Science Fiction, Horror and Fantasy Film Review
Douglas Trumbull started as an illustrator for Graphic Films, a small animation house that created a science-fiction film for the 1964 World’s Fair in New York. Stanley Kubrick saw the film and hired Trumbull’s colleague Con Pederson to work on 2001. Trumbull got Kubrick’s telephone number in England from Pederson and cold-called the director, who hired him for the film, a gig that lasted nearly four years.
Although Trumbull created and directed many of the film’s most spectacular moments (the “slit-scan” sequence at the end was purely his creation), Kubrick usurped the credit when he inserted a title card in the credits stating “Special Photographic Effects designed and directed by Stanley Kubrick.” Trumbull and Kubrick maintained an uneasy relationship for years thereafter as a result.
Nonetheless Trumbull was awed by the experience, and set about dedicating his life to making movies with the same grandeur as 2001 – movies that enveloped the audience.
He got his… read more
Scientists can record and playback people's experiences: "Inception" before "Inception"--and better, I feel! A big screen must-see: the major shifts in aspect ratio throughout the film shall be lost on television. This is a dazzling big screen experience, hardly surprising considering it was directed by Douglas Trumbull (visual effects supervisor on films such as "Blade Runner" and "2001: A Space Odyssey").
Centers around intriguing scientific ideas and characters, though it's not without its moments of visual spectacle with some great special effects. The performances and pacing are uneven, and there are some cheesy touches toward the end, but the story is strong enough to keep it consistently compelling. The aspect ration gimmick doesn't work quite as well on the small screen, though.
Douglas Trumbull s’est essentiellement fait connaître comme directeur des effets visuels pour des “petits” films comme 2001: l’odyssée de l’espace, Blade Runner, Star Trek ou encore Rencontres du troisième… read review