Based on Bram Stoker’s classic 1897 novel, this film from Francis Ford Coppola and screenwriter James Victor Hart offers a full-blooded portrait of the immortal Transylvanian vampire. The major departure from Stoker is one of motivation as Count Dracula (Gary Oldman) is motivated more by romance than by bloodlust. He punctures the necks as a means of avenging the death of his wife in the 15th century, and when he comes to London, it is specifically to meet heroine Mina Harker (Winona Ryder), the living image of his late wife (Ryder plays a dual role, as do several of her costars). –amctv
He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more
This film deserves my biggest admiration. It has many weak points, but there's one thing that makes me love it deeply... All effects you see were made on camera, most of them using techniques from the beginning of the century... There's a sequence shot with a hand cranked 35mm camera, or the double exposures (as the one with the rats walking in the ceiling) Old school filmmaking, great homage, loads of respect.
Also: Césars and BAFTAs. And passings.
The Keep plays as part of a 10-film Michael Mann retrospective at Chicago’s Doc Films on October 5th . *** A little fairy tale: wayward German
Sou um grande fã dos filmes com temáticas “vampirescas”. Bem diferente da afetação de Crepúsculo, Drácula de Bram Stoker é um filme belíssimo,
com uma atmosfera densa e perturbadora. O ponto alto… read review
A masterpiece in terms of cinematography and aesthetics in general. It’s the visuals that grab me – from Dracula himself to the actual meticulous shots, the set design, costumes – everything. Most… read review
The effects at times were good, at other times too strange. They do move along quickly to pack a lot of the novel’s story into the run time. Still, the movie feels too long toward the end. These Dracula… read review
Some may find this corny and too dramatic, but i found it quite interesting. the art direction is delightful, with Dracula’s ferocity changing as much as a rich 12 year old in a fitting room. Plus… read review