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Branded to Kill

Koroshi no rakuin

Japan

1967

98 Min
Black and White
2.35:1
Japanese
  • Currently 4.0/5 Stars.
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DIR Seijun Suzuki

PROD Kaneo Iwai, Takiko Mizunoe

SCR Hachiro Guryu

DP Kazue Nagatsuka

CAST Jô Shishido, Mariko Ogawa, Anne Mari, Koji Nanbara, Isao Tamagawa, Hiroshi Minami

ED Mutsuo Tanji

PROD DES Sukezo Kawahara

MUSIC Naozumi Yamamoto

Synopsis

When Japanese New Wave bad boy Seijun Suzuki delivered this brutal, hilarious, and visually inspired masterpiece to the executives at his studio, he was promptly fired. Branded to Kill tells the ecstatically bent story of a yakuza assassin (chipmunk-cheeked superstar Joe Shishido) with a fetish for sniffing boiled rice who botches a job and ends up a target himself. This is Suzuki at his most extreme—the flabbergasting pinnacle of his sixties pop-art aesthetic. –The Criterion Collection

Director

Original

Seijun Suzuki

Seijun Suzuki (鈴木 清順, Suzuki Seijun?), born Seitaro Suzuki (鈴木 清太郎 Suzuki Seitarō) on May 24, 1923, is a Japanese filmmaker, actor, and screenwriter. His films are renowned by film enthusiasts worldwide for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre. His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded his magnum opus, Branded to Kill (1967), starring notable collaborator Joe Shishido. Suzuki successfully sued the studio for wrongful dismissal but was blacklisted for 10 years. As an independent filmmaker he won critical acclaim and a Japanese Academy Award for his Taishō Trilogy, Zigeunerweisen (1980), Kagero-za (1981) and Yumeji (1991).

His films remained widely unknown outside of Japan until a series… read more

Wall

Displaying 4 of 31 wall posts.
Picture of Telly Pavlogianis

Telly Pavlogianis

25Nov11

The scene where Shishido keeps the balloon afloat is pretty great.

Picture of Mehdi Jahan

Mehdi Jahan

28Mar11

It seems Seijun Suzuki's genius was too hot for Nikkatsu to handle and the fact that he got fired for making this, is understandable. Any studio production,wont be exactly gung-ho bout a film like this, filled with symbols, innovations and abstractions. Dark, unsettling and visceral, this movie caught me completely off-guard. I could almost feel the character's alienation. Its a triumph of the style here.

Matt likes this

Picture of Sudipto Basu

Sudipto Basu

19Mar11

The theme tune will forever be imprinted on my mind. So coolly morbid!

Picture of tmb

tmb

4Mar11

i think its a cut version? its not 96 min. its just 87 min. ?!?

Related Films

Fans

Displaying 5 of 589 fans.

Articles

Our roundup of essays and articles on this film.
W184

Daily Briefing. Late Hitchcock, Screening the Past

By David Hudson on December 14, 2011

Also: The adaptation Jafar Panahi never got to direct, Seijun Suzuki on DVD and Blu-ray and more.

read article
W184

Notebook Soundtrack Mix #1: "HYPER SLEEP"

By Paul Clipson on August 29, 2011

The first ever Notebook Soundtrack Mix! HYPER SLEEP includes work that reflects jazz, classical, experimental and pop influences.

read article
W184

Nikkatsu Agitator: “Detective Bureau 2-3: Go to Hell Bastards!” vs. “3 Seconds Before Explosion”

By Fernando F. Croce on June 3, 2009

Recently released by Kino International, Seijun Suzuki’s Detective Bureau 2-3: Go to Hell Bastards! (1963) and Motomu Ida’s 3 Seconds Before

read article

Lists

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Reviews

Displaying 4 of 4

Rhythm and Mood in Branded to Kill and Playtime

By johnnyd on May 16, 2010

Branded to Kill is a movie that moves to its own musical time rather than to a normal, linear storyline. Rhythm supersedes narrative—with the help of elements like cinematography, lighting and…  read review

Untitled

By Francis on August 12, 2009

Even director Seijun Suzuki admitted this was a terrible plot. I actually view Branded to Kill as a deliberate, experimental joke by Suzuki on his superiors. Sort of like a kiss off to them. The acting…  read review

Untitled

By Christo​pher Smith on January 13, 2009

Offbeat and innovative 60s Japanese gangster film has style to burn – with ingeniously-staged violence, hip jazz music, ultra-cool quirky characters, hot sex, innovative camerawork, and striking visual…  read review

Untitled

By Sexy Beast on December 10, 2008

This slightly incomprehensible gem is the film that got director Seijun Suzuki banned from Japanese cinema. The film feels as improvised as it’s jazz oriented sound track. The story chronicles the…  read review

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Seijun Suzuki

3 posts by 2 people over 1 year ago

DVD

Buy the DVD from The Criterion Collection.