Bread Day unflinchingly depicts a community of pensioners living in near isolation outside of St. Petersberg as it enacts the weekly ritual of bringing a delivery of bread—left at a rail junction two hours away—into the village for distribution. Dvortsevoy documents the struggle as the elderly residents complete their arduous task and then gather in the store, where portions are unsatisfactory and interactions grow heated. Attentive as much to the people as to the landscape and the animals that share it, Dvortsevoy captures village goats and a litter of puppies along with the bleakness of rural poverty and old age. —Harvard Film Archive
Sergey Dvortsevoy (born in 1962) worked as an aviation engineer before studying film in Moscow in the early 1990s. His films immediately garnered international acclaim, receiving prizes and recognition at festivals around the world, including the nomination of Bread Day (1998) for the prestigious Joris Ivens Award at the Amsterdam International Documentary Film Festival. The following year his work was presented at the Robert Flaherty Film Seminar, an institution dedicated to Flaherty’s adherence to the goal of seeing and depicting the human condition. Dvortsevoy’s documentaries are committed to observational filmmaking. His subjects — people living in and around a Russia in transition — try in their individual ways to eke out an existence. Tulpan is his first fiction film, which has been nominated into the 2009 Asia Pacific Screen Awards for Best Feature Film and Best Achievement in Directing. —Wikipedia