In London, the British architect Will lives with his Swedish mate Liv a worn-out relationship, without the former passion, consumed by the dedication of Liv to her autistic daughter Bea. The needy of love Will and his partner Sandy have an ambitious architectural project to improve the dangerous neighborhood of King’s Cross where their firm Green Effect is located. The practitioner of parkour and refugee from Serbia Mirsade a.k.a. Miro breaks in Green Effect in the night to deactivate the alarm system to burgle computers and others electronic devices with a gang of compatriots leaded by his uncle. Will decides to stake-out during the nights to find the culprit, and he witnesses Miro trying to break-in the firm again. Will pursues Miro and finds his address, where Miro lives with his seamstress mother Amira. Will does not call the police, and on the next day, he visits Amira with the pretext of sewing a coat. Will gets closer to Amira, visiting her everyday, and more distant from Liv, When Miro finds that Will had been in his room, he tells the truth to his mother and she decides to give Will’s laptop back to him. Will sexually desires Amira and she has an encounter with him to get pictures to compromise and blackmail him. —IMDb
A director known primarily for his classy, richly textured screen adaptations of famous novels, Anthony Minghella gained international recognition with his 1996 adaptation of Michael Ondaatje’s The English Patient. Nominated for 11 Academy Awards, the film ultimately won nine including Best Film and Best Director statuettes for Minghella.
Born to Italian parents on the Isle of Wight on January 6, 1954, Minghella grew up next door to the neighborhood cinema. An early film devotee, he managed to score free film admission by befriending the cinema’s projectionist. Despite his lifelong interest in the cinema, Minghella took a long and circuitous path to filmmaking. After earning a degree from the University of Hull, where he lectured on literature, he began writing plays. In 1984, three years after he started his playwriting career, he was named Most Promising Playwright of the Year by the London Theatre Critics. Further adulation followed in 1986 when Minghella’s Made in Bangkok… read more