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Synopsis

Iosseliani’s dark comedy about the history of Georgia is a parable that shows how the power structures have only changed marginally over the past centuries. The main protagonist Vano just changes his costume. As the country’s king in the 15th century, he is constantly at war with his neighbors and his underlings. He pursues a career as a people’s commissar in the Stalinist era and 60 years later he is an arms dealer in the mafia, profiting from the civil war and living a life of luxury in Paris. —Arsenal

Director

Original

Otar Iosseliani

A major director of the Soviet sixties who continues to make internationally acclaimed films. A child musician and music student, Iosseliani switched to mathemetics at Moscow State University, then attended VGIK, studied directing under Dovzhenko, and graduated in 1961. His first major film, April, resulted in his being denied work for two years, during which worked as both a sailor and day laborer. He returned to direct films such as Falling Leaves, which takes a documentary approach to depicting Georgian life. His films took subtle, elliptical paths to critiquing the Soviet Union until he emigrated to France in the early 1980s, at which time his pictures -often still set in the Soviet territories- became marginally more explicit. But his movies are much too concerned with universality, the mysteries of human existense and the beauty of nature, to be overtly political. Though still residing in France, since the fall of the Soviet Union Iosseliani has worked more closely… read more

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