“Broken Arrow” is the term used to describe a nuclear device that has been lost. In this movie, two nuclear missiles are stolen by rogue US pilot Deakins, but hot on his trail is his co-pilot Hale and a Park Ranger, Terry. The action takes place in Utah’s canyon country; a high stakes game of cat and mouse. –IMDb
The first Asian filmmaker to helm a major Hollywood feature, John Woo initially emerged as the leading light of the Hong Kong action renaissance of the late ’80s. Celebrated for his unique, much-imitated style: a Molotov cocktail of graceful slow-motion sequences, staccato edits, freeze-frames, and dissolves; Woo brought a new depth of emotion and visual beauty to the action genre, perfecting an operatic, highly stylized brand of mayhem laced with melodrama, savage wit, and homoerotic undercurrents. Woo was born Wu Yu Sen on May 1, 1946, in the Guangzhou Canton Province of China, his parents relocating the family to Hong Kong three years later to escape life under communism. The Woos were quite poor, and were homeless for several years. His father, a philosopher, was later hospitalized with tuberculosis for over a decade. It was his mother who introduced Woo to the cinema, where he fell under the sway of American musicals and the films of the French New Wave, with Jean-Pierre Melville… read more
I keep rewatching "Broken Arrow" every couple of years because whenever I reflect back on the movie, I realize I can't remember a thing about it - which seems a crime when we're talking about a John Woo picture. This last viewing it finally dawned on me that the movie simply isn't memorable. The real issue is that whereas the Woo-isms that evolved out of the screenplays for "Hard Target" and "Mission: Impossible II" felt natural, or at least warranted, here the signature Woo moments are awkwardly grafted onto a screenplay that doesn't really allow for for them.