Parker Posey and Melvil Poupaud form a cross-Atlantic indie film dream team in Zoe Cassavetes’ directorial debut, a sparkling romantic comedy for latent depressives and the chronically lovelorn. Posey stars as Nora, a very Parker Posey–like young woman who’s actually, gulp!, 35ish and still single. Reminded by her kindhearted though thoughtless mother (the magnificent Gena Rowlands, Cassavetes’ real-life mom) that “the good ones are snapped up by your age,” Nora is further sent into depression by the “perfect marriage” of her best friend, Audrey (Drea de Matteo). Vowing to start dating, she embarks on a string of disastrous encounters with disastrous men until she meets Julian, an attentive, handsome Frenchman (Melvil Poupaud, a frequent Raoul Ruiz collaborator and star of François Ozon’s Time to Leave). Too bad he’s leaving for France soon; too bad Nora can’t remember his last name when he does. After all, there are quite a few Julians in Paris, and she might just have to track each of them down to find him. Whether their spark can turn into a flame is one question; whether it can survive Nora’s scattered thought process is yet another. Recharging the rom-com genre with a joltingly millennial, post-Xanax outlook and the fast-paced verve of ’30s screwball classics, Cassavetes keeps things moving briskly, able to balance the demands of the genre with a few serious comments on depression, loneliness, and urban disconnections. She elicits delightful performances from Posey and Poupaud, both of whom radiate intelligence, humor and charm. –SFIFF
the reason to watch this movie is Parker Posey. i'd be thrilled if Zoe Cassavetes made another movie in the near future, because much like James Grey's Two Lovers... this one punched me in the gut in terms of how real it felt, and how much it mirrors my feelings about relationships from time to time. it starts out sad, then becomes pretty hopeful. not too crazy about the third act, but still the rest! GRADE: A-