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Brother

Australia

1999

8 Min
Black and White
English
  • Currently 3.9/5 Stars.
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DIR Adam Elliot

PROD Adam Elliot

SCR Adam Elliot

CAST William McInnes

ED Adam Elliot, Nicholas Boseley

ANIM Adam Elliot

Synopsis

Thanks to the success of his first two shorts, Brother became the natural conclusion to what is now referred to as a trilogy. Funded by the Australian Film Commission and SBS Independent, this short explores the childhood memories of Elliot’s brother. In several interviews Elliot has stated that it is his most factual and autobiographical film and that the Brother is in fact himself. Brother marks the height of Elliot’s minimalist approach and aesthetic. He made it in a friend’s spare bedroom above falafel shop in the bohemian inner city suburb of Fitzroy, Melbourne. Elliot set strict rules for himself: the film should be made in a completely analog fashion using a limited amount of tools and equipment. In keeping with his purist ideals, he edited it on a Steenbeck, rejecting the offer of the use of a computer.

Like the two previous chapters of the trilogy, Brother was narrated by William McInnes. It traveled to many international festivals, winning Elliot two AFI Awards: one for Best Australian Short Animation and one for best Australian Short Screenplay. The budget for Brother was $52,000 AUD. —Wikipedia

Director

Original

Adam Elliot

Adam Elliot, (born Jan 2nd 1972, Berwick, Australia), is an independent stop-motion animation writer and director based in Melbourne, Australia. His five films have collectively participated in over six-hundred film festivals and have received over one hundred awards, including an Oscar for Harvie Krumpet. Elliot calls himself an auteur filmmaker and each of his films have a bittersweet nature to them. Based loosely on his family and friends, Elliot calls each of his works a Clayography – clay animated biographies – a portmanteau term of the words clay and biography. Utilising a large team of animators and modelmakers each film takes several years to complete. He is noted for his use of traditional ‘in-camera’ techniques, which means every prop set and character is a ‘real’ miniature handcrafted object. Elliot does not use digital additions or computer generated imagery to enhance his visual aesthetic. His company, ADAM ELLIOT PICTURES, produce the films and Elliot’s work practices… read more

Wall

Displaying 4 wall posts.
Picture of Maoolina Fajrini

Maoolina Fajrini

8Feb12

sad but brilliant

Picture of Michelle

Michelle

1Jul11

adam elliot is fantastic

Maja Todorovic likes this

Picture of Pedro

Pedro

20Apr11

Elliot's constant approaches to people's addictions and incapacities (mental, physical, emotional), when combined with his extraordinary use of analog animation, give birth to a unique and masterful collection of tales. His work perspires total devotion.

Picture of Max

Max

16Aug10

Watch it here: http://www.youtube.com/watch?v=0LdzgOrhfGA

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