Italian director Franco Zeffirelli started out as an actor in the stage productions of Luchino Visconti, then worked as an assistant on several Visconti-directed films. After World War II, Zeffirelli launched a career designing, costuming, and directing operas, a field of entertainment to which he’d return periodically throughout his life and which led to his first directorial credit, the Swiss-produced filmization La Boheme (1965). Zeffirelli’s reputation in the 1960s rested on his boisterous, non-traditional movie versions of Shakespeare. He directed Richard Burton and Elizabeth Taylor in a lusty adaptation of Taming of the Shrew (1967), then became an icon for the Youth Movement by casting 17-year-old Leonard Whiting and 15-year-old Olivia Hussey in Romeo and Juliet (1968). Zeffirelli’s eye for visual richness served him well in the opulent Brother Sun/Sister Moon (1973), a romanticized account of Francis of Assisi. Some of Zeffirelli’s later American films were unworthy of his talents… read more
Brother Sun, Sister Moon is admittedly hard to stomach in its occasional corniness, musical sentimentality, and arguably its religious morality. However, this is quite possibly one of the most visually stunning works you will have the honour of witnessing. A lacklustre story can be forgiven when one indulges in Zeffirelli's eye for the splendour of natural landscapes. An overlooked, beautiful and ridiculous serenade.