“Brothers, let us be merry, bravely defy your troubles”, so advises the song The Happy Slaves from the opera Zaide by Mozart. Accompanied by this music and immersed in half-light, two men give themselves over to endless pleasure: they masturbate, just like one masturbates when one is forced to get comfortable and have a good time. Now in the fulfillment of pleasure, the film moves forward the reaction that converts Nietzsche’s postulate, which states that all pleasure seeks to be endless, into an irreal utopia. —http://www.documentamadrid.com
Ulrich Seidl was born in Vienna in 1952 and grew up in the town of Horn in Lower Austria. He studied journalism, art history and drama in Vienna, supporting himself with odd jobs, before entering the prestigious Vienna Film Academy at the age of 26. In 1980 he made his first documentary, Einsvierzig. Following the controversy surrounding his second film, Der Ball (1982) – a wickedly satirical portrait of the graduation ball in his home town – Seidl was asked to leave the Film Academy. In 1990 he returned to the scene with the feature-length documentary Good News. Within the decade Seidl was to make seven more documentaries for cinema and television, winning much acclaim and many prizes for his work.
Hundstage – Dog Days, his first fiction film, was released in 2001 and won several important awards, beginning with the grand jury prize at the Venice Film Festival in 2001. The same year also saw the release of Zur Lage / State of… read more