Family drama. A middle-aged father has just married off his third daughter, but still has his nine year old son to raise whom he resents as he was unwanted. —British Film Institute
Heinosuke Gosho (1902–1981) began his career in 1925 as a disciple of Yasujiro Shimazu at Shochiku Studio. Young Gosho immediately proved his skill at the genre of “shomin-geki,” stories of the life of ordinary people, characteristic of his mentor’s work at that studio. Gosho’s early films were criticized as “unsound” because they often involved characters physically or mentally handicapped ( The Village Bride and Faked Daughter ). Gosho’s intention, however, was to illustrate a kind of warm and sincere relationship born in pathos. Today, these films are highly esteemed for their critique of feudalistic village life. Gosho was affected by this early criticism, however, and made his next films about other subjects. This led him into a long creative slump, although he continued to make five to seven films annually.
The first film by Gosho to attract attention was Lonely Hoodlum of 1927, a depiction of the bittersweet life of common people, Gosho’s characteristic subject. In 1931… read more