The final part of Mikhalkov’s trilogy about Divisional Commander “Kotov” finds him returning home during World War II having been betrayed, narrowly escaped execution for treason and nearly reduced to dust in a prison camp. Only to discover that everything has changed and he will have to fight again for his name, for his honour, and for his love. An impressive Spielberg-esque war epic, beautifully shot with strong performances and climatic finale. –NY Daily News
Born to a family of celebrated painters and poets, Muscovite Nikita Mikhalkov is the younger brother of director Andrei Konchalovsky. An actor in theater and films since the age of 16 (including his brother’s Dvoryanskoye Gnezdo and Siberiade), Mikhalkov also studied cinema at Moscow’s State Film School in the 1960s. He debuted as a director in 1970 with his diploma film A Quiet Day at the End of the War. He then returned to acting for a few years, finally unveiling his first full-length feature, Svoy Sredi Chuzhikh, in 1973. An avowed idolater of playwright Anton Chekhov, Mikhalkov adapted Chekhov’s very first play, Platonov, into the autumnal dramatic film An Unfinished Piece for Mechanical Piano (1977). Mikhalkov won several awards for this effort, and would do so again for his subsequent films Oblomov (1980) and the Italian-produced Oci Ciornie (Dark Eyes, 1987). In 1995, a breathless Mikhalkov, in the company of his beaming… read more