On an island far from the main land of the Philippines, islanders who used to be wealthy go through economic difficulties when a goldmine company withdraws from the area. Ferding, Santos and Willy only drink in despair. One day, a Canadian woman’s visit changes everything. Through the expression of the contradictory nature of the prosperity development brings and the environmental destruction it causes, the pain Philippine society experiences is fully captured. —Jeonju International Film Festival
Lavrente Indico Diaz is a multi-awarded independent filmmaker who was born on December 30, 1958 and raised in Cotabato,Mindanao. He works as director, writer, producer, editor, cinematographer, poet, composer, production designer and actor all at once. He is especially notable for the length of his films, some of which run for up to eleven hours. His eight-hour Melancholia, a story about victims of summary executions, won the Grand Prize-Orizzonti award at the Venice Film Festival 2008. His work Death in the Land of Encantos also competed and represented the country at the Venice Film Festival documentary category in 2007. It was granted a Special Mention-Orizzonti. The Venice Film Festival calls him “the ideological father of the New Philippine Cinema”.
Diaz says that he usually writes his scripts while shooting, letting his creative instincts take over and allowing the story to evolve as filming progresses. He tends not to follow industry conventions, such… read more
A lot of things Diaz manages to pack into this film but the two things that stuck out to me was his focus on the resource curse inflicted on developing countries and the result being desperation borne from poverty. The other being the ex-patriate returning home but unable to reconnect with one's country of origin as a result of being westernized, perhaps originally driven by the lack of opportunities available.
Action is irrelevant, what matters is reaction--that's what I learned from Butterflies Have No Memories (Lav Diaz, 2009, Phillippines)