Calendar

Germany, Armenia, Canada

1993

74 Min

Color

1.33:1

Armenian, German, Hebrew, Russian, English

Currently 3.7/5 Stars.
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CAST Arsinée Khanjian, Ashot Adamyan, Atom Egoyan, Michelle Bellerose, Natalia Jasen, Susan Hamann, Sveta Kohli

SOUND Steve Munro

Berlinale (Forum), New York, Stockholm (Competition), San Francisco

Synopsis

A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. The photographer becomes jealous of his wife’s bonding with the driver. In a series of flash-forwards, the photographer stages identical dinners with several women, who pretend to talk on the phone while he writes. His wife, now estranged from him, leaves repeated messages on his answering machine, asking why he never contacts her. Yet another thought-provoking look into strange, intertwined relationships from the always enigmatic Egoyan. —IMDb

Director

Atom Egoyan

Atom Egoyan’s parents were painters and he studied International Relations and music at the University of Toronto where he began making short films: “Howard in Particular” 1979, “After Grad with Dad” 1980, “Peep Show” 1981 and “Open House” 1982.

While he has several distinguished Television and Opera works on his resume and such pictures as his debut “Next of Kin” 1984, Berlin and Moscow International Film Festival-winning “Family Viewing” 1987 and “The Adjuster” 1991 – his most critically acclaimed creation is The Sweet Hereafter (1997) and his most famous work is the astonishingly clever film-in-film Ararat (2002)

4 time Cannes Film Festival winner and the most famous Armenian filmmaker since Sergei Parajanov, the Egypt-born, Canada-bred, Oscar-nominated master of indie cinema, has collected an impressive 4 awards from the prestigious Toronto International Film Festival.

A 7 time recipient of Canada’s top Genie Awards, he is a remarkable figure in contemporary… read more