Just out of prison, ex-con Ugo Piazza meets his former employer, the psychopathic gangster Rocco who enjoys sick violence and torture. Both the gangsters and the police believe Ugo has hidden $300,000 that should have gone to an American drug syndicate boss. —IMDb
Fernando Di Leo (January 11, 1932 – December 1, 2003) was an Italian film director and script writer born in San Ferdinando di Puglia. During his career from 1964 to 1985, Di Leo directed 20 films and was involved in the writing process in 43. His films influenced many popular contemporary directors, such as Quentin Tarantino and John Woo.
Di Leo started his career mostly writing scripts for spaghetti westerns. He worked on the script for Per un pugno di dollari (A Fistful of Dollars, 1964) and later as assistant director and assistant to Sergio Leone in Per qualche dollaro in più (For a Few Dollars More, 1965). Later, he wrote scripts for such westerns as Navajo Joe (1966) and Johnny Yuma (1967). Di Leo is now best remembered for his poliziotteschi films, especially the Milieu Trilogy, which he both wrote and directed. The trilogy contains Milano calibro 9 (1972), La mala ordina (Manhunt, 1972) and Il boss (The Boss, 1973). —Wikipedia
Un noir splendido, con un Moschin glaciale e una Buchet bella da morire. Interessantissimo lo scontro politico tra i due poliziotti, l'individuazione di ogni male nella ricchezza, nella gente col potere vero che tira i fili ma è protetta dalle stesse autorità. Atmosfera perfetta e colonna sonora indimenticabile.
Solo il fatto di essere fonte d'ispirazione per Tarantino rende l'idea del grandioso lavoro fatto da Di Leo.Un noir superbo,senza una sbavatura,diretto magistralmente e con in più momenti di altissima riflessione sulla società:l'amara analisi del vecchio boss sull'evoluzione della mafia e il meraviglioso scontro ideologico tra i due poliziotti,che testimonia un'ampia libertà d'espressione.Nel 1972 si poteva,oggi...5*
Considering the use of the AC Milan gym bag at the end, I'm guessing Di Leo was an Inter supporter. Great scuzzy, violent, and stylish crime movie.
The event of the week in film criticism is the arrival of a new issue of Senses of Cinema, featuring a transcript of a talk Tsai Ming-liang
Milano, and its same old trades and issues, awaits Ugo Piazza after serving three years in prison. on top of that, his acquaintances believe he stole them 300,000 dollars in the last job he did before… read review