American director/choreographer Herbert Ross divided his time between Broadway and the American Ballet Theatre in the 1950s and 1960s. Ross also choreographed numerous live television programs, and handled the dance sequences of such films as Carmen Jones (1954), Inside Daisy Clover (1963) and Dr. Doollittle (1967). His first screen directorial job was Goodbye Mr. Chips, an overblown 1969 remake of a well-regarded 1939 MGM feature. Ross’ subsequent cinema reputation rested on his ability to transfer popular stage plays to the screen, as witness The Owl and The Pussycat (1970), The Sunshine Boys (1975) and California Suite (1978). While he was expert in cinematizing the plays of Neil Simon, Ross was critcally lambasted for his conformist approach to Woody Allen’s Play it Again Sam (1972), though this film was one of Allen’s biggest moneymakers. Ross also directed a brace of Neil Simon screenplays, The Goodbye Girl (1977) (which won an Oscar for star Richard Dreyfuss) and Max Dugan Returns… read more
Entertaining Neil Simon adaptation offers some nice smart, funny, and heartfelt moments. Some storylines are more effective than others, but it works in a large part to the excellent cast, with Maggie Smith and Jane Fonda as dramatic standouts, and some solid laughs from the always fun Walter Matthau.
Under the direction of Herbert Ross, Neil Simon adapted a screenplay from his 1976 Broadway play California Suite as a picture for Columbia. His play received mixed reviews and so would the movie… read review
American playwright Neil Simon (“The Odd Couple” & “The Sunshine Boys”) re-teams with director Herbert Ross (“Goodbye, Mr. Chips” & “The Turning Point”) for this big screen adaptation of the… read review