Martin Scorsese’s remake of Cape Fear provided the director with a box-office success to follow up the critical success of the previous year’s Goodfellas. After serving a lengthy prison sentence for a sexual assault, Max Cady (Robert De Niro) comes calling on the man who served as his public defender, Sam Bowden (Nick Nolte). Max begins a campaign of harassment against the man and his family because Bowden buried a report that would have in all likelihood acquitted Cady of the charges against him. –amctv
Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more
Gloriously over the top from the performances, music, editing to finally the camera movement which might be the most insane i've seen it from Scorsese which is saying something.
Occupying roughly the same place in Scorsese's oeuvre that Dragon Tattoo does in Fincher's, Cape Fear transcends its 'for-hire' outward appearance. Not only does Scorsese craft this big budget studio thriller into his darkest film, but he also employs the most formally audacious camerawork to come out of Hollywood in the 1990s (right next to his own Casino). Unfairly neglected, this is the Scorsese that got away.
At Cargo, Simon Rothöhler marks Nick Nolte's 70th with the scene above: "Two men between two turbines, two actors in an unevenly matched
Name a happy family in a Martin Scorsese film. Or a stable couple, even. In Cape Fear, the director is asked to update the scenario of J. Lee
Among the films Martin Scorsese and Leonardo DiCaprio have told Terrence Rafferty (New York Times) and Scott Timberg (Los Angeles Times
If there was a director destined to remake 1962’s Cape Fear in the early 90s, before Tarantino arrived on the scene with his love for reusing old styles, Martin Scorsese would have (not necessarily… read review